6 Hours Dealing With Munich Airport Customs, €429 Later, Welcome to the New Brexit Reality
Last week I was asked by my client to fly out to Munich to install two very expensive TVs into their clients HQ.
Read moreFirst-hand accounts from Tim Brennan, Ian Smith and the wider campaign — what post-Brexit touring actually looks like on the ground.
Last week I was asked by my client to fly out to Munich to install two very expensive TVs into their clients HQ.
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Wow what a week, with the new appointments in the PM's re-shuffle we now see a new Secretary of State for DCMS.
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Through our overseas touring we also know how complicated and costly visa applications are.
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To a certain extent, I feel once again, as I did as a child, that people are being turned away from their closest borders.
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Our short-term plan is to tour the UK for this year and next year and if the restrictions make it too difficult, we have to consider relocating.
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The Government has failed to provide freelancers in our industry with the robust information they need to make decisions about their job, career and lives.
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Not only are UK touring artists and performers being strangled by the new challenges of costs, red tape and bureaucracy, so is the rest of the British culture and media sector.
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UK passport holders who are NOT EU citizens BUT legally resident in an EU host state should absolutely NOT have their passports stamped.
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The government needs to step up and create a smooth path for UK artists to continue to tour in Europe so that we can survive.
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In Italy, individuals may be fined a few hundred Euros for working illegally — fines can be up to €10,000.
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We are only just beginning to understand what Brexit means for artistic exchange; the full effect will only become apparent as borders reopen.
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We need a 'cultural passport' for both European and UK professional creatives to perform and travel across borders.
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